Producer-Mix Engineer-Loud Talker
Rock-Indie-Pop-Punk-Post Hardcore
What Makes someone stop and listen to your music?
GREAT FUCKING SONGWRITING!
You don't need to figure your music out alone.
I'm not the guy who just sets up mics and hits record—that’s LAME. I’m in it with you, hands-on, helping shape your sound. Whether it's chopping up the structure, sprinkling in some ear candy, or knowing when to leave it the fuck alone—I'm here to make sure your song hits and your story lands.
Let's get emo
Whether your song is about something depressing like breaking up with your shitty ex- HAPPY like getting drunk with all your friends at karaoke, or ANGRY like sitting in traffic. LET'S BRING THAT VIBE HOOOOOOOME!!!
I want you to feel comfortable sharing the story of your songs so we can NAIL the vision.
SONGS THAT SLAP
These people had a blast working with me and so will you!
Kevin Sampson and the Night Shift
Just worked with Jon on a mix and master for our newest single. I couldn’t be happier with how it turned out. Jon is a very talented dude and super easy to work with. He’s not happy until you’re happy. I will definitely be working with Second River Studios again!
Hundred Plus Club
I wouldn’t want to work with anyone else. Jon knows what’s up. Very collaborative and knowledgeable.
Bore
Working with Jonathan Wisniewski was a fucking great experience
P.S. You're Dead
Jon was so fun to work with and really made my band sound the best we possibly could. He really knows his stuff on the production side and also pushed us to give our best performances while recording
By Filling This Out, You Agree To Be My Best Friend
So, Who Is This Fucking Guy??
Hey! I'm Jonathan Wisniewski. You can just call me Jon.
The first time I ever walked into a studio, I had no idea what to expect. But the engineer made us feel at home and gave killer feedback. The songs leveled up, ideas were flying, and we were having a BLAST.
I walked out of there thinking, “Holy shit… I want to do this for other bands.”
Fast forward—here I am.
I’ve heard the horror stories: studios that feel like dentist offices, engineers who act like robots, artists walking out more stressed than they walked in.
I FUCKING HATE THAT.
Recording should feel like recess for music nerds. It should be messy, exciting, weird, fun—and yeah, maybe a little chaotic in the best way.
I work hard to create a space where you can experiment, joke around, screw up, and still walk out with a record that slaps.
Because at the end of the day, I’m not just pressing buttons—I care about your music like it’s my own. Let’s make something awesome, and have a stupid good time doing it.